I'm unhappy with the kind of reportage we've seen on this situation. For the most part, reporters such as John Borland have positioned it as a "war" between little-guy hackers and big companies - in this case Apple. There's talk of "back doors" and such. All of it is posited in adversarial terms.
This combat coverage misses a deeper point. Ed Felten has a better analysis in his blog, but he stops at the boundaries of this situation. I want to go at least a little farther.
I think there are clear parallels here between what the individual vendors of DRM-encumbered digital media are doing and, for example, the fight over the broadcast flag. As in that case, what we have is one group (vendors, Hollywood) trying to exert or extend control over what another group (consumers, electronics industry) does in the way of new and innovative uses. One side has its model (terms of service) for how things ought to be done and anything outside of that model is treated as a threat to be countered. The reportage I complained about earlier only feeds into this meme.
Posit a different scenario, one that might be headlined "iTunes recognizes new revenue stream." Instead of trying to force everyone to use only their client (which is, as far as I can tell, not a revenue source in and of itself), Apple could welcome any compatible client that helped people buy music from their store. Look, for example, at the Web services interfaces that Amazon has published.
What Amazon has said is, effectively: "We don't know all the possible ways to promote our products; come up with something that works for you and we'll be happy to collect the income." This is the source for interesting hacks, too, like the AmazType page I blogged last week.
I think what we're seeing is, in part, fallout from a campaign the Cartel began last decade to control the language and thought processes around digital expressions and aintellectual property. Sharing became "piracy"; copying became "theft"; copy rights were elevated to a level equal to or even above physical property rights. We're now in a situation in which it's nearly impossible to put forth positive, cooperative, or even innovative approaches. Positions have hardened, millions of dollars have been spent, lives have been upended, laws have been passed. Even the educational system has been recruited to reprogram potential future free thinkers.
But all wars have to come to their ends, including the Copyright Wars. I feel it is incumbent on us to extend our thinking and promote - at least once in a while - the notion that there are peaceful, mutually beneficial ways through these issues. I am continually reminded of Gibson's dictum that "the street finds its own uses for things." No matter what technology or innovation we put out today, tomorrow's children will use it for things we've not thought of, in ways we haven't imagined. I think this has been true for all of human history and nothing the Cartel or Apple or any other large organization does is likely to change it much.
My guess is that PyMusique will go down as another tempest in a teapot and be forgotten in a few months. Longer term, though, we will still have to find ways to make a truce and a cease fire and eventually a peace. I don't have any grand ideas of how to do that, but I have an unshakeable conviction that it has to happen.