Here we'll explore the nexus of legal rulings, Capitol Hill
policy-making, technical standards development, and technological
innovation that creates -- and will recreate -- the networked world as we
know it. Among the topics we'll touch on: intellectual property
conflicts, technical architecture and innovation, the evolution of
copyright, private vs. public interests in Net policy-making, lobbying
and the law, and more.
Disclaimer: the opinions expressed in this weblog are those of the authors and not of their respective institutions.
The story is a little short on detail, and references the Village People legal case I mentioned a few months ago. The big difference I see is that authors - particularly those who write novels that end up on bestseller lists - usually work through agents. These agents often handle all publication rights for the author, even though they don't hold the original copyrights, nor are they assigned the rights. They negotiate the contracts, though, and if those contracts are going to be broken or amended through the Termination Rights process then these literary agents are likely to be involved again. And as Jeff John Roberts notes in his column, it's not clear how widespread the knowledge of the law's provisions are, or who actually understands them. They're not really as straightforward as one would like, since they require advance notice and have a window in which they can be exercised.